The Criterion Collection
Essays
Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.
Apr 16, 2025 — The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.
The Daily
Apr 10, 2025 — The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
The Daily
Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.
The Daily
Jan 17, 2025 — Featured this week are Frank Capra, Michael Roemer, John Ford, Djibril Diop Mambéty, and Rainer Werner Fassbinder.
Jan 14, 2025 — In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.
Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.
The Daily
Dec 5, 2024 — Jane Schoenbrun’s I Saw the TV Glow scores six Spirit Awards nominations and is the cover story in the new Film Quarterly.
Nov 26, 2024 — In this tragicomic road movie about a Bible-selling con man and his precocious young charge, Peter Bogdanovich brings Depression-era America to vivid life without sentimentality or nostalgia.