The Criterion Collection
The Daily
Jun 21, 2023 — The Method, riffs on pop culture, and a fist fight with Lawrence Tierney all figure in this month’s roundup on new and noteworthy titles.
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”
Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.
On the Channel
Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.
Production Notes
Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.
On the Channel
Jul 27, 2022 — Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.
The Daily
Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.