The Way I See It

Sep 17, 2017 — “Clio Barnard is the fiercely intelligent, visually inventive and innovative film-maker who gave us the brilliant docu-hybrid The Arbor and then The Selfish Giant, an inspired interpretation of Oscar Wilde set in Bradford,” begins the Guardian’s Peter Bradshaw. “Her third...

May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.

Sep 17, 2013 — The author sheds some light on the fascinating life of the American scriptwriter behind Roberto Rossellini’s Paisan.

Oct 19, 2010 — With Seven Samurai, Akira Kurosawa set out to debunk some of the more inflated myths that had attached themselves to the samurai.

Oct 28, 2007 — When I started preparing for a new transfer of The Ice Storm, I asked director Ang Lee if he wanted to supervise the session. Ang said that he’d like the cinematographer, Fred Elmes, to supervise, and that he would come...

Dec 7, 2006 — Almost exactly twelve years ago, we were fervently working on the launch of a big website with tons of content called voyagerco.com. This was in the fall of 1994, and if you're wondering how long ago that was in web...

Apr 22, 2022 — Over my forty-plus years at Janus and Criterion, few films have meant more to me than For All Mankind, because of my lifelong passion for space travel. I remember being a second-semester freshman and registering for Astronomy 101. It was...