The Criterion Collection
Jun 22, 2009 — So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Essays
Apr 23, 2001 — Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...
Essays
Aug 25, 1998 — Here is an honest, visionary, pulp film, stripped of all romanticism, with characterizations and themes more real and relevant today than ever. To watch Shock Corridor now is to experience the complex, wacky, full-blown masterpiece of one of Hollywood’s great...
Jun 21, 1994 — From the opening credits of Spike Lee’s seminal film, She’s Gotta Have It, viewers in 1986 were able to recognize the presence of an extraordinary talent. For it was Lee, a graduate of the New York University’s Tisch School of...
The Daily
Jul 6, 2023 — The accomplished actor excelled at playing ordinary men facing down life’s most outrageous absurdities.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
The Daily
Nov 9, 2023 — The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.
The Daily
Jun 8, 2023 — The robust oeuvre features performances from Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gérard Depardieu, Hanna Schygulla, and Ornella Muti.
May 21, 2021 — Known for her resilient heroines, the prolific Japanese actor finds agency through moments of hesitation in one of her seventeen collaborations with Mikio Naruse.