The Day Will Come

Nov 2, 2022 — While the Wexner Center surveys her career, TCM’s podcast tells the full life story of Pam Grier.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.

Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.

Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.

Mar 28, 2022 — Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.

Mar 21, 2022 — Weeks ahead of the lineup announcement, trade publications are making educated guesses.