The Criterion Collection
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
Essays
Jun 21, 2022 — Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.
Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”
Criterion Designs
Jun 15, 2022 — The graphic designer behind our covers for Diabolique and The Tin Drum takes us inside his Baltimore studio and his idea-driven creative process.
The Daily
Jun 15, 2022 — The late actor will be remembered for his work with Robert Altman, Paul Thomas Anderson—and Jerry Seinfeld.
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.
The Daily
Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.