Filmmaker

Mar 24, 2021 — Some of the most exciting new nonfiction work from around the world will be showcased in the coming weeks.

Mar 23, 2021 — “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Mar 23, 2021 — With the participation of Wong Kar Wai’s production company, Jet Tone Films, and collaborating with L’Immagine Ritrovata and One Cool, the Criterion Collection undertook meticulous restorations of seven of the director’s films, five of which—Chungking Express, Fallen Angels, Happy Together,...

Mar 22, 2021 — Here’s what the critics have been saying about the winners of the two main competitions.

Mar 19, 2021 — We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

Mar 18, 2021 — The range this month is wide, from Tsai Ming-liang to Ida Lupino, from Tobe Hooper to Josephine Baker.

Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...

Mar 12, 2021 — This week’s round features Merawi Gerima’s conversation with Ephraim Asili, an early talk with Claire Denis, and the greatest performances of the twenty-first century.

Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Mar 8, 2021 — “I see the beauty now,” my mother told me when I asked her what she thought of Cicely Tyson’s face, about a week after the pathbreaking actor died in January at ninety-six. “But I didn’t then.” By “then,” she meant...