The Criterion Collection
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
On the Channel
Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...
Features
Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.
May 21, 2021 — Known for her resilient heroines, the prolific Japanese actor finds agency through moments of hesitation in one of her seventeen collaborations with Mikio Naruse.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
Tech Corner
Feb 26, 2021 — There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...