We Own the Night

Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...

Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...

Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.

Jan 3, 2023 — A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.