The Criterion Collection
May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
The Daily
Aug 9, 2018 — The Academy’s announced three changes it hopes will ward off encroaching irrelevance.
Essays
Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.
The Daily
Feb 21, 2024 — Huppert takes the lead in Hong Sangsoo’s A Traveler’s Needs and André Téchiné’s My New Friends.
On the Channel
May 28, 2020 — Check out what’s in store next month on our streaming service!
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Features
Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.