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Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 14, 2024 — A bittersweet comedy and a documentary about a Shakespeare production in a virtual world take the top prizes.

Mar 11, 2024 — After scoring eight nominations over more than twenty years, Christopher Nolan is finally taking home a couple of Oscars.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Mar 8, 2024 — Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.

Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Jan 19, 2024 — We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Dec 25, 2023 — Look back on the collaborations that defined our year, captured in this compilation of moments that our crew shared with the artists, critics, and scholars who talked with us about the movies.

Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...