Transfer

Jul 25, 2018 — After languishing for decades in John Waters’ attic, never-before-seen footage from the set of Female Trouble has made its way onto our newly released edition of the film.

Apr 18, 2018 — Before we lost Milos Forman and Vittorio Taviani over the weekend, the Slovak Spectator reported that Juraj Herz, the Czech actor and director best known for his 1968 film The Cremator, had passed away at the age of eighty-three. Just...

Mar 29, 2018 — New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot on video for a low...

Feb 9, 2018 — Catching up with notable recent interviews, we naturally have to begin with the one that’s sparked so much crossfire for a full week now. Last October, Uma Thurman declined to comment on the #MeToo movement because “when I have spoken...

Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.

Oct 10, 2017 — Philippe Garrel will introduce this evening’s presentation of a new restoration of his 1979 film L’Enfant secret, starring the late Anne Wiazemsky (image above), and then take part in Q&As later tonight and again tomorrow (with his daughter Esther Garrel)...

Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.

Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

May 27, 2017 — “When French writer Delphine le Vigan published her book Based on a True Story in 2015, some critics dubbed it ‘a Hitchcockian novel,’” begins Jonathan Romney, writing for Screen. “It’s not surprising, then, that Roman Polanski’s adaptation is very Hitchcockian...