The Widow

Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.

Feb 13, 2014 — Hiroshi Teshigahara may have never quite become a household name, but this uniquely talented Japanese filmmaker, who specialized in existential dramas peppered with surreal avant-garde touches, received a large dose of international acclaim for his 1964 Woman in the Dunes,...

Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

May 18, 2021 — Here’s an update on what Bong Joon Ho, Margarethe von Trotta, David Cronenberg, Alice Rohrwacher, and Wes Anderson are up to.

Aug 21, 2019 — One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.

Apr 12, 2017 — A sparkling homage to the golden age of Hollywood, Jacques Demy’s The Young Girls of Rochefort tells the story of dance instructor Delphine and music teacher Solange, twin sisters who yearn for excitement and romance beyond the confines of their...

Sep 22, 2009 — One enters any major film festival with hopes of discovering a budding auteur, a new voice from some previously unheard-from part of the world—a Julián Hernández or Corneliu Porumboiu or Bong Joon-ho. At this year’s Toronto International Film Festival, however,...

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.