The Criterion Collection
Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
On the Channel
Dec 16, 2024 — Next year’s programming kicks off with some of our favorite actors, including Nicole Kidman, Ethan Hawke, and David Bowie.
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
The Daily
Apr 15, 2018 — La Semaine de la Critique, or Critics’ Week, has announced the lineup for its fifty-seventh edition, running from May 9 through 17 in Cannes. The opening film will be Paul Dano’s Wildlife, and I gathered a first round of reviews...