The Criterion Collection
The Daily
Apr 15, 2018 — La Semaine de la Critique, or Critics’ Week, has announced the lineup for its fifty-seventh edition, running from May 9 through 17 in Cannes. The opening film will be Paul Dano’s Wildlife, and I gathered a first round of reviews...
Apr 24, 2012 — An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.
Dec 30, 2003 — In 1936 the rise of Hitler in Germany and the Popular Front in France created within the French Left a new sense of solidarity with the Soviet Union. In that context the Russian immigrant producer Alexander Kamenka asked Jean Renoir...
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.
On the Channel
Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.
On the Channel
Jun 28, 2021 — Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.