The Teacher

Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.

May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.

Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...

Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...

Feb 4, 2019 — Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Apr 25, 2017 — 1. Before Rumble Fish became a novel, S. E. Hinton wrote an early version of it as a short story, which was published in 1968 in the University of Tulsa literary magazine, Nimrod. Two details were inspired by her pets: the title alludes to...

Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.

Dec 9, 2009 — Not that he himself wanted to be remembered. Rather, he wanted his work to be remembered. He once wrote: “Take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’” It was as though he thought he did not exist except through...

Jul 10, 2006 — In his unpredictable daily encounters with the gorilla Koko and her teacher, Barbet Schroeder foregrounds the quiddity of Koko’s situation in episodic fashion.