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The Kingdom

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jun 3, 2016 — This August will bring two new Criterion releases to the United Kingdom: Dont Look Back, D. A. Pennebaker’s intimate 1967 portrait of Bob Dylan, and Arthur Hiller’s 1979 madcap classic The In-Laws. Head over to Amazon to check out our...

Apr 18, 2016 — We’re thrilled to announce that the Criterion Collection has begun releasing a selection of titles in the United Kingdom. We’re kicking off our UK launch today with six incredible films from the collection, and further releases will follow each month....

Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...

Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy.   Colleen Murphy After we decided to...

May 31, 2009 — Apparently, things were as rough on the set of Lindsay Anderson’s This Sporting Life as they were on-screen. In a new piece for the Guardian, written on the occasion of a theatrical rerelease of the film in the United Kingdom,...

Nov 15, 1999 — Great comedy cannot be confined within normally accepted boundaries of taste and sensitivity. The essence of the Pythons was that they were always ready to take on formidable, daunting subjects that others might find too dangerous to contemplate. The idea...

Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.

East of Berlin

The Daily

Mar 3, 2021 — Alexandre Koberidze’s What Do We See When We Look at the Sky? and Dénes Nagy’s Natural Light compete at the Berlinale.

Sep 30, 2026 — The Bhutanese director and leading Tibetan Buddhist teacher talks about his wide range of aesthetic influences, his experience working with Bernardo Bertolucci, and film’s connection to meditation.

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