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The End of the Affair

Apr 15, 2018 La Semaine de la Critique, or Critics’ Week, has announced the lineup for its fifty-seventh edition, running from May 9 through 17 in Cannes. The opening film will be Paul Dano’s Wildlife, and I gathered a first round of reviews...

Apr 9, 2018 Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Apr 2, 2018 The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.

Mar 27, 2018 At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.

Mar 5, 2018 Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Feb 20, 2018 In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.

Dec 12, 2017 Before turning to the cities, we have a bit of festival news. The Locarno Festival, whose seventy-first edition will run from August 1 through 11, has announced that its “major Retrospective will be dedicated to three-time Oscar winner Leo McCarey...

Dec 6, 2017 “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

Nov 18, 2017 Don Hertzfeldt “has created a singular universe of stick figures in crisis,” writes David Ehrlich, introducing his interview for IndieWire. “One of life’s few perfect things, World of Tomorrow [2015] is as mordantly funny and existentially fraught as anything Hertzfeldt...

Aug 22, 2017 French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.

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