The Criterion Collection
Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Nov 19, 2007 — In 2003, on the occasion of the Cinémathèque française’s complete retrospective of Ingmar Bergman’s work, ten filmmakers were invited to present one of his films that had a significant effect on them. Controversial French director Catherine Breillat (Fat Girl) selected...
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
On the Channel
Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.
Short Takes
Jul 7, 2016 — Half a century after Jacqueline Susann’s sensational novel Valley of the Dolls became a best seller, this cult-classic portrait of glamour and excess is enjoying a fabulous comeback.
The Daily
Jul 8, 2025 — The maestro of existential dread is celebrated in New York, Vancouver, and Columbus, Ohio.
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
Mar 12, 2021 — Deep Dives I can think of few movies that express the pain of being young better than Hiroshi Teshigahara and Kobo Abe’s Ako (1964). I first happened upon it by chance, lurking among the supplements on the Criterion edition of...