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The Coward

Oct 23, 2010 In 1945, a teenage Stanley Kubrick was given a job as staff photographer at Look magazine, where he published more than nine hundred striking images, most of them in the realist style of New York School street photography. By the...

Dec 14, 2017 Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...

Oct 8, 2017 Hong Sang-soo’s On the Beach at Night Alone “is a drama of rare lyrical exaltation,” writes the New Yorker’s Richard Brody. “Kim Min-hee stars as an actress named Young-hee, whose life has been thrown into turmoil by reports about her...

May 21, 2007 In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...

May 20, 2025 Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.

Jan 26, 2023 This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.

Nov 4, 2022 New Senses of Cinema! We’re also reading about John Garfield, Anna Karina, Asghar Farhadi, and Mike Leigh.

Apr 13, 2018 “Miloš Forman, the anti-authoritarian director who left his native Czechoslovakia for creative freedom in the U.S. and captured Oscars for the masterpieces One Flew Over the Cuckoo’s Nest and Amadeus, has died.” Duane Byrge for the Hollywood Reporter: “Forman first...

Aug 12, 2014 The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Dec 25, 2008 Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.

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