Törst

Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.

Jan 31, 2022 — What have the critics been saying about this year’s winners?

Jan 21, 2022 — When I received the email asking me to work on the cover art for the Criterion Collection edition of Citizen Kane, my emotions quickly went from pure joy to complete dread. What can be done for a film of this...

Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Jan 6, 2022 — With the Omicron wave on the verge of peaking, Sundance calls off this year’s in-person events.

Jan 3, 2022 — Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.

Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.

Dec 7, 2021 — As his latest feature arrives in the U.S., the director has already begun work on his next one.

Dec 6, 2021 — It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.