Rise

Oct 2, 2023 — Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy star in a melancholic story of romance and reconciliation.

Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 15, 2023 — Wayne Wang is perhaps best known as a cinematic chameleon. Working both inside and outside of the Hollywood ecosystem, he has consistently demonstrated a restless curiosity about a wide range of cultures and filmic traditions. In addition to directing two...

Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.

Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Jul 28, 2023 — This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jul 5, 2023 — Antoine Bourges’s subtle portrait of a Syrian family in Toronto will open on July 21.

Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Jun 20, 2023 — Two young San Francisco residents navigate the potential for romance and their opposing views on race in Barry Jenkins’s moving debut feature.