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Nothing But a Man

Sep 29, 2020 In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.

May 19, 2020 The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.

Jul 17, 2019 In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...

Jun 24, 2019 A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Aug 19, 2009 I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....

Farewell, Bergman

Production Notes

Jul 30, 2007 Five years ago I produced my first DVD of a film by Ingmar Bergman. The film was Wild Strawberries, and I remember the thrill of working on a film that I knew was beloved by so many. Since then I...

Apr 23, 1990 Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Oct 8, 2021 In the news this week: Isabelle Huppert, David Cronenberg, Peggy Ahwesh, Doris Wishman, Tacita Dean, and Orson Welles.

Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

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