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My Teacher

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Apr 15, 2021 Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.

April Books

The Daily

Apr 13, 2021 This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.

Mar 5, 2021 Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

Feb 23, 2021 Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...

Feb 12, 2021 In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...

Dec 1, 2020 Near the end of the late Bengali actor Soumitra Chatterjee’s six-decade career in cinema, journalists liked to ask him one question quite frequently: Why did he never enter Bollywood?Depending on your vantage point, this query is either reasonable or ridiculous....

A Robust Round

The Daily

Nov 13, 2020 We’re keeping busy with online festivals, awards nominations, remembrances, and plenty of weekend reading.

Oct 1, 2020 Martin Scorsese’s World Cinema Project No. 3 An artist, critic, and scholar highly respected in his native Iran but too little known in the West, Bahram Beyzaie is a gifted autodidact of traditional and modern theater and performing arts, and...

Aug 31, 2020 Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.

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