The Criterion Collection
The Daily
May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...
May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
Essays
Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.
On the Channel
Jan 9, 2017 — The glittering surfaces of classic fairy tales often mask undercurrents of emotional torment, spiritual foreboding, and moral transgression. This week, our latest series on the Criterion Channel, Happily Ever After?, showcases the deviant forces lurking within some of cinema’s most...
Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
Jun 21, 2016 — Animated in Czechoslovakia amid a Soviet invasion, the French film Fantastic Planet, the third collaboration between René Laloux and Roland Topor, timelessly renders its surreal sci-fi story of captivity and resistance.
Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.