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Il Cav. Costante Nicosia demoniaco, ovvero: Dracula in Brianza

Jul 24, 2017 In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...

Three Go 3-D

Short Takes

Apr 19, 2010 Post-Avatar, it seems some of our favorite filmmakers have caught 3-D fever. Just in the past week, it’s been confirmed that Martin Scorsese, Wim Wenders, and Werner Herzog will soon be getting us to wear goggles. Scorsese’s excursion into the third...

Sep 3, 2007 Aconversation, a misunderstanding. The basic pattern in many of Jim Jarmusch’s films is two characters, sometimes three, bound together by chance and wandering along toward an ill-defined goal, each trying all the while to get to know the other or...

Feb 1, 2023 A new restoration of the hit tragicomedy finally arrives in U.S. theaters.

February Books

The Daily

Feb 25, 2026 A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.

Feb 21, 2025 This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.

Jun 24, 2021 And we have more news from Locarno, Telluride, and San Sebastián.

Jun 15, 2017 New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...

May 17, 2017 With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...

Jul 19, 2010 “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...

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