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I Am Nojoom, Age 10 and Divorced

Orpheus

Essays

Apr 24, 2000 When I make a film, it is a sleep in which I am dreaming. Only the people and places of the dream matter. I have difficulty making contact with others, as one does when half-asleep. If a person is asleep...

Jun 21, 1994 From the opening credits of Spike Lee’s seminal film, She’s Gotta Have It, viewers in 1986 were able to recognize the presence of an extraordinary talent. For it was Lee, a graduate of the New York University’s Tisch School of...

May 20, 2024 From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

Mar 20, 2024 Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

May 19, 2023 In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

Jan 17, 2023 Despite her initial reluctance and a stifling contract with Howard Hughes, La Lollo became one of the top stars of the 1950s and ’60s.

Jun 7, 2019 He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

Sep 26, 2017 Let’s start today’s round with a few books. Next month sees the release of Movies That Mattered: More Reviews from a Transformative Decade, Dave Kehr’s followup to his 2011 book, When Movies Mattered. Before he became a curator in the...

Jul 25, 2016 In his masterful reimagining of the story of John Smith and Pocahontas, Terrence Malick meditates on the nature of beauty and America’s path from innocence to experience.

Apr 27, 2016 In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.

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