Nov 14, 2016 Aaron Brookner’s critically acclaimed new documentary Uncle Howard, which features previously unseen footage from Howard Brookner’s 1983 Burroughs: The Movie, opens theatrically at New York’s IFC Center.

Sep 15, 2016 Need some respite from the twenty-four-hour news cycle? Bill Hader and Fred Armisen’s hysterical IFC Channel series Documentary Now! returns with some comedic salve for our weary election-season souls.

Mar 11, 2015 Critics love to talk about modern auteurs in terms of their influences, and François Truffaut has never been an exception. For our release of The Soft Skin, out next week in Blu-ray and DVD editions, critic and filmmaker Kent Jones...

Eyes of Hitchcock

Visual Analysis

Sep 26, 2014 Filmmaker :: kogonada tweets at @kogonada and tumbles at missingozu.tumblr.com. You can view some of his work at kogonada.com.

High Tension

In Theaters

Sep 5, 2013 Repertory PicksLike any great western, Delmer Daves’s taut 3:10 to Yuma is especially commanding on the big screen. This has a lot to do with the film’s vast, ravishingly photographed landscapes, but seeing it in the theater also allows for...

Apr 12, 2013 Did You See This?• James Ivory on the late Ruth Prawer Jhabvala • So that’s what Glenda Jackson’s been up to. • A cutting lesson from the master of suspense • An insider’s take on working with Kubrick • The...

Jun 7, 2012 In this classic self-interview, published to coincide with the release of Summer with Monika, the director reveals key elements of his filmmaking process.

Aug 16, 2011 “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...

Dec 2, 2008 Starting today, Federico Fellini’s enduring autobiographical Amarcord is back on the big screen, in a newly restored print from Janus Films, supervised by director of photography Giuseppe Rotunno. After a two-week run at New York’s Film Forum, Fellini’s colorful portrait...

Apr 17, 2006 In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

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