Give Me Back My Daughter

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...

Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

Oct 10, 2017 — Mia Hansen-Løve is about to begin shooting her sixth feature, Maya, featuring Roman Kolinka (who's worked with Hansen-Løve on Eden, andThings to Come), Aarshi Banerjee, Alex Descas, Judith Chemla, and Johanna ter Steege. Fabien Lemercier reports for Cineuropa: “Written by...

May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

May 11, 2015 — The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.

Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.

Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.

Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.