The Criterion Collection
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
The Daily
Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.
Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.
On the Channel
Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.
The Daily
Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.
The Daily
Sep 30, 2025 — Three films of wonder and wandering: Mare’s Nest, Dry Leaf, and Drunken Noodles.
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
The Daily
Sep 22, 2025 — The LA genre festival presents a doc on a reviled sequel as well as the latest features from Radu Jude and Lucile Hadžihalilović.