The Criterion Collection
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...
Features
Oct 30, 2023 — At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...
Features
Oct 4, 2023 — Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
On the Channel
Aug 21, 2023 — Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...
Jan 26, 2023 — This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.
Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...
The Daily
Jun 16, 2022 — The Film at Lincoln Center retrospective features seventeen new restorations overseen by the director himself.
The Daily
Jun 7, 2022 — Olivier Assayas has his reasons for retelling the story of a remake.