The Criterion Collection
Jun 1, 2017 — By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.
The Daily
May 19, 2017 — Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...
Mar 17, 2017 — A cornerstone of Taiwanese cinema, Edward Yang’s 1985 sophomore feature, Taipei Story, makes its U.S. theatrical premiere today at Brooklyn’s BAMcinématek. Screening in a new 4K restoration undertaken by The Film Foundation’s World Cinema Project, this slow-burning portrait of urban...
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Nov 21, 2016 — By turns hilarious and heartrending, The Squid and the Whale is one of Noah Baumbach’s most autobiographical works. Rooted in his experiences growing up in a hyperliterate household in 1980s Park Slope, this ensemble comedy captures the tempestuous dynamics between...
Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.
Short Takes
Jul 7, 2016 — Half a century after Jacqueline Susann’s sensational novel Valley of the Dolls became a best seller, this cult-classic portrait of glamour and excess is enjoying a fabulous comeback.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.