Codine

Oct 26, 2023 — Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 21, 2023 — This October, brace yourself for chills, thrills, and some of the most mind-bending, spine-tingling horror imaginable.

Aug 8, 2023 — Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Jul 10, 2023 — Writer-archivist-filmmaker Jenni Olson and critic Caden Mark Gardner discuss Masc, a collection of films on the Criterion Channel that explores the many forms of masculinity beyond the realm of cisgender men.

Jun 23, 2023 — Critics rank political movies and revisit the work of Fassbinder, Pasolini, and Juliet Berto.

Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Jun 6, 2023 — The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.

Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.