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Bridge to Terabithia

May 15, 2012 Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.

Apr 25, 2011 In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.

Sep 22, 2009 1967 was the year when a great divide opened between “pop” and “rock,” and when the burgeoning S.F. hippie subculture began to usurp the chirpier L.A. world of surf music and Sonny and Cher.

May 20, 2009 Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

Oct 6, 2008 It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...

Mar 16, 2007 The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.

Oct 23, 2006 The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.

Aug 22, 2005 Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.

Jan 5, 2004 “Sometimes I think of my death,” Kurosawa has written: “I think of ceasing to be . . . and it is from these thoughts that Ikiru came.” The story of a man who knows he is going to die, the...

Jun 26, 2000 Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...

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