The Criterion Collection
Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
The Daily
Jun 5, 2023 — The director of one of the major early works of the French New Wave lived to see interest in his work revived.
The Daily
May 25, 2023 — Audrey Diwan’s jury spotlights emerging talents from Malaysia, Belgium, Serbia, and France.
The Daily
May 22, 2023 — Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.
The Daily
Apr 17, 2023 — Six of the eleven first and second features selected this year are directed by women.
The Daily
Feb 27, 2023 — The Golden and Silver Bears sparkled, but many of the true gems were to be found in the Encounters program.
Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...