The Criterion Collection
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
The Daily
Jun 30, 2022 — Wim Wenders, Alice Diop, Pedro Almodóvar, and the Cinémathèque française feature in this week’s picks.
The Daily
May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
The Daily
Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.
The Daily
Feb 9, 2022 — Restorations and revivals of works by two unjustly overlooked filmmakers are now underway.
The Daily
Jan 26, 2022 — Rotterdam opens as Sundance winds down and Berlin sets up.
The Daily
Jan 19, 2022 — The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.