The Criterion Collection
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
The Daily
Jun 2, 2025 — More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.
The Daily
May 30, 2025 — The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.
The Daily
May 6, 2025 — A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.
Apr 22, 2025 — The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.