After

Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Nov 19, 1989 — After finishing High and Low (1963), director Akira Kurosawa recalls, “I started looking around for something else to do and quite by accident picked up [the novel] Red Beard by Shugoro Yamamoto. At first I thought it would make a...

Apr 10, 1989 — Two years after The Horse’s Mouth director Ronald Neame cast Alec Guinness in this film, based on a book by James Kennaway.

Apr 10, 1989 — In the Hollywood heyday of the ‘30s and ‘40s, America was synonymous with rip-snorting action-adventure movies. Audiences throughout the world thrilled to such classics as Gunga Din, The Sea Hawk, and Union Pacific. In the 1950s the Japanese made their...

Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...

Dec 15, 1986 — It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

The writer, director, and performer talks about how All That Jazz inspired the stylistic freedom of Hedwig and the Angry Inch, shares a moving story about After Life, and praises the versatility of filmmakers like Pier Paolo Pasolini and Sidney...

The actor talks about studying Charlie Chaplin’s performance in City Lights, shows off his tattoos inspired by After Hours and Slacker, and selects favorite coming-of-age movies by Harmony Korine and Andrea Arnold.

The legendary director, writer, cinematographer, and producer praises Charlie Chaplin as a father to all filmmakers, reflects on casting Jean-Louis Trintignant in A Man and a Woman after seeing Il sorpasso, and shares why love has been the enduring theme...

The director of Flow praises the mixture of abstraction and emotion in Woman in the Dunes, talks about how Martin Scorsese played by his own rules with After Hours, and selects his comfort movie, Fantastic Mr. Fox.