The Criterion Collection
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
Feb 9, 2016 — Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...
Feb 24, 2015 — Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Essays
Oct 6, 2008 — It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...
Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
The Daily
Apr 14, 2025 — The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.
Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.
The Daily
Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.