The Criterion Collection
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
May 28, 2013 — Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
May 15, 2012 — Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.
Essays
Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Essays
Sep 15, 2008 — Max Ophuls’s ingenious tale of Viennese cafe society conveys both the transience of individual passions and the durability of passion itself as a motivating force in human behavior.
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.