The Criterion Collection
The actor and filmmaker selects favorites like Touki Bouki, Memories of Underdevelopment, and Accattone; shouts out his recent collaborator Claire Denis; and discovers his own work on our shelves.
The actor talks about her favorite scenes in Beau travail and Punch-Drunk Love, admires Nicole Kidman’s performance in To Die For, and shares her desire to dance with Bob Fosse.
The filmmaker talks about the hypnotic quality of L’avventura, praises Alan J. Pakula’s Paranoia Trilogy, and shares how David Fincher’s The Game helped kickstart his career.
The legendary Iranian filmmaker explored the boundaries between reality and fiction, the complexities of childhood, and the beauty of his country’s landscapes.
The actor shares how This is Spinal Tap changed her life, praises the transportive quality of films like Danton and Monsoon Wedding, and talks about her personal connection to Sweet Smell of Success and The Manchurian Candidate.
The filmmaker returns to the Criterion Closet, where he praises seventies thrillers like The Parallax View and Straw Dogs, talks about You Can Count on Me and how “no one writes dialogue like Kenneth Lonergan,” and connects Targets to his...
The musician selects classic love stories like I Know Where I’m Going! and The Earrings of Madame de . . ., talks about the dramatic suspense of Elevator to the Gallows, and reenacts a favorite moment from Band of Outsiders.
The legendary fashion designer talks about falling in love with The Red Shoes, shares why Moonstruck is a perfect movie to watch anytime and with anyone, and delights in the haunting glamour of Isabella Rossellini in Blue Velvet.
The journalist and author praises the perfectly calibrated tension in Notorious, talks about Jane Fonda’s dynamic performance in Klute, and shares what makes Fanny and Alexander such a personally resonant film.
The rapper, record producer, composer, and filmmaker talks about how the Once Upon a Time in China series elevated the martial genre, praises Mikey and Nicky as a master class in how to write a buddy movie, and shouts out...