The Criterion Collection
Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.
The Daily
Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.
The Daily
Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Aug 30, 2011 — “It is much less a film than it is myself,” Jean Cocteau wrote to a friend at the time he was making Orpheus (1950), “a kind of projection of the things that are important to me.” As with many of...
The Daily
Jan 19, 2023 — Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.