Time

Apr 14, 2023 — This week: Interviews with Rob Tregenza and Ari Aster and new writing on Lubitsch, Jarmusch, and Laura Citarella.

Apr 13, 2023 — Combining elements of soft-core porn and film noir, one of the most popular Hollywood genres of the 1980s and ’90s captured the fraught aspirationalism and sexual mores of the era.

Apr 13, 2023 — Martin Scorsese, Wes Anderson, Hirokazu Kore-eda, Nuri Bilge Ceylan, Alice Rohrwacher, Todd Haynes . . .

Apr 11, 2023 — Ryusuke Hamaguchi and Kiyoshi Kurosawa praise Somai as a major influence, and Japan Society will present the first North American retrospective.

Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.

Apr 6, 2023 — Reichardt’s eighth feature is a wryly comic portrait of a frustrated artist and a thriving community.

Apr 5, 2023 — The composer, pop star, and occasional actor mastered a bafflingly wide range of styles and influences.

Apr 1, 2023 — This week: Heart-stopping stunts from Harold Lloyd and Michelle Yeoh plus writing on Dziga Vertov and Kenji Mizoguchi.

Mar 29, 2023 — The Brazil-based programmer discusses her transnational, oppositional approach to curating the daring lineup for Opacity, which was presented at the Flaherty Seminar in 2021 and is now available on the Criterion Channel.

Mar 28, 2023 — Described by director Joan Micklin Silver as “a kind of weird romantic comedy,” this defiantly ambiguous exploration of amour fou presents its obsessive antihero in all his contradictions.