After War

Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.

Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.

Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.

Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.

May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.

May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.

May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...

May 13, 2015 — Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.

May 11, 2015 — The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.