The Criterion Collection
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.
Mar 28, 2014 — Did You See This?• German poster gorgeousness • Looking back at a classic Chris Marker book • Abel Ferrara solves the Pier Paolo Pasolini mystery? • Digging into The Great Beauty • James Agee on Twitter? • Auteur anomalies •...
Jan 31, 2014 — Did You See This?• Naked Lunch and other adaptations of the unadaptable • David Bordwell on the great critics of yore • The Hitchcock-Nabokov collaboration that never was • A pas de deux from Chantal Akerman and Pina Bausch •...
Jun 28, 2013 — Did You See This?• The Times of Harvey Milk, Weekend, and other essential LGBT cinema • The Hitchcock 9 are here. • Badlands inspires a book of photographs. • Proving 8½’s influence • Remembering a stellar sci-fi scribe • The...
Tech Corner
Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....
Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Jul 22, 2009 — Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...