The Criterion Collection
Jan 14, 2015 — The writer remembers two New York film figures.
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies was matched by the multifariousness of his professional life, as a controversial filmmaker, writer, painter, actor, and all-around intellectual public figure.
Jul 24, 2012 — Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.
Essays
May 9, 2012 — The paradox of the biopic is that the need to give fictional characters the kind of messy, defining behavior that makes them ring true—makes them, in the vocabulary of development, “relatable”—is usually overlooked when an actual life is condensed into...
One of cinema’s great beauties, Catherine Deneuve (born Catherine Dorléac in Paris in 1943) is also an icon of the transformative cinematic 1960s. The daughter of two actors and the sister of three (one of whom, Françoise Dorléac, died in...
Looking for a little cinematic catharsis? Come and cry along with Criterion.
Sep 26, 2010 — The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...