She and He

Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...

Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

May 14, 2016 — Our release of Albert and David Maysles’s 1976 documentary Grey Gardens—an intimate portrait of reclusive mother and daughter Edith and Edie Bouvier—has finally made its way to the United Kingdom. To mark the occasion, British website AnOther has just published...

Feb 4, 2016 — Repertory PicksLast month, the International House Philadelphia, in conjunction with the University of Pennsylvania, kicked off a series called Cinema, Censorship, and the Scandal of Sex, selecting four films that “have been seen as an outrage to decency, morality, religious...

Jan 28, 2016 — Repertory Picks Last weekend, at San Francisco’s Castro Theatre, the Film Noir Foundation kicked off its fourteenth annual Noir City celebration. The focus of this year’s festival, which showcases twenty-five favorites of the genre, is cinema’s fascination with the art...

Oct 5, 2015 — We were saddened today to learn of the death of the great Chantal Akerman. Known most widely for her 1975 masterpiece, Jeanne Dielman, 23, Quai du commerce, 1080 Bruxelles, Akerman made precise, thoughtful, and aesthetically daring films—fiction features and documentaries,...

Sep 11, 2015 — Laura Poitras has proven to be one of the most daring and necessary voices in contemporary documentary cinema with such works as The Oath and the Oscar-winning Citizenfour. So we’re excited to hear that she, along with her fellow documentarian...

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.