Time

May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.

May 12, 2023 — This week: Swiss anarchists, Spanish analogue filmmakers, Warren Sonbert, and Jerzy Skolimowski.

May 11, 2023 — Starting this fall, Criterion will proudly join Janus Films in presenting Janus Contemporaries, a new line of home-video editions of first-run releases, fresh from theaters, following their streaming premieres on the Criterion Channel.

May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”

May 9, 2023 — The Austrian Film Museum pairs features by the great French directors Jacques Becker and Claude Sautet.

May 8, 2023 — A new film by the late director is the clear highlight of this year’s Cannes Classics program.

May 5, 2023 — Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.

May 4, 2023 — The Thai artist and director picks ten features to screen alongside his own work in New York.

May 3, 2023 — The third edition of New York’s festival of experimental documentary and avant-garde film is on through Sunday.

Apr 28, 2023 — This week’s highlights whiplash from a vibrant club scene to the chaotic final days of the Ceaușescu regime, hitting several disparate points in between.