Jan 16, 2020 Deep Dives The question that was asked of the great actors and actresses of silent film with the coming of sound was simple: Could they speak? Could they adapt the styles they had developed to the demands of dialogue and...

Jan 14, 2020 There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.

Jan 13, 2020 Soon after completing his 1928 silent masterpiece The Passion of Joan of Arc, Danish filmmaker Carl Theodor Dreyer turned his attention to a genre he had not yet explored on-screen, undertaking to make a horror movie that was, in his...

Jan 13, 2020 A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.

Jan 10, 2020 How do movies work? It’s a question that seems to have been on more than a few minds this week.

Jan 9, 2020 The UCLA Film & Television Archive presents a series of films bearing aesthetic and political similarities to the Italian neorealist classics of the late 1940s.

Jan 8, 2020 When it comes to building a genuine relationship between characters on-screen, how do you capture the feeling of a shared history? How much begins with what’s written on the page, and how much relies on the chemistry between actors or...

Godard in Paris

The Daily

Jan 8, 2020 A major retrospective at the Cinémathèque française has us turning to writing by Peter Wollen, Gilberto Perez, and Jonathan Rosenbaum.

Jan 7, 2020 Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Jan 6, 2020 1917 is now repositioned as a late frontrunner in the Oscar race.

Current Page
117
of 230

You have no items in your shopping cart