The Criterion Collection
Features
Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...
The Daily
Sep 22, 2021 — Wes Anderson collects his favorite New Yorker stories, and Werner Herzog has written his first novel.
Essays
Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.
The Daily
Sep 17, 2021 — The new 4K restoration of Christopher Petit’s debut feature will screen at the New York Film Festival before opening at the Metrograph.
The Daily
Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”
The Daily
Sep 16, 2021 — For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”
Sep 14, 2021 — A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.
Criterion Designs
Sep 13, 2021 — The Los Angeles–based artist behind the covers for our editions of Amarcord and The Awful Truth discusses the evolution of her work.
The Daily
Sep 13, 2021 — Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.
The Daily
Sep 8, 2021 — One of the best-reviewed films in Venice now heads to Toronto, New York, and London.